Lohar said artists from India and Pakistan are a "bridge" between the two countries. (God created mankind to spread love but man created divisions and hatred. "Pyar di khatir rab ne saari khed rachayee,Īiwein bandeyan ne aapas de vich nafrat payee, All the people that god has created are beautiful)," Lohar said, adding with a short poem: (Artists come from the soil and spread love all around. Eh saariyan roohaan jehdiyan rab ne paida kittiyan hai, eh sab badiyan pyariyaan ne. Every moment here is yaadgar (memorable)," said the portly singer who has acted in over 45 Pakistani films, including in lead roles. That is one reason why I keep coming here regularly. “I get a lot of love and respect in India. I have got a lot of love from all generations in India and Pakistan and from people settled in other parts of the world. "I have no idea how many times I have been to India. Ihnu koi academy nahin banaundi (Folk artists are god-sent, no academy creates them)," said Lohar, who speaks in Punjabi and spends most of his time in India these days. I am blessed that I am instrumental in continuing this great tradition," the 50-year-old Lohar said in an interview while on a visit here. Over the centuries, the folk tradition has continued. "You cannot say that a particular time belongs to a certain style (of singing). The track is not something we usually expect from S-E-L and is a happy reminder that the trio haven’t lost their ability to surprise us.Īll-in-all, Bhaag Milkha Bhaag is a sort of comeback album for S-E-L, a reminder to their detractors that they can’t be written off that easily.With his Jugni duet with Pakistani singer Meesha Shafi for Coke Studio topping the charts in 2010 and the "Tu Bhaag Milkha" title song, Lohar continues to charm music lovers across generations. Javed Bashir and Shreya Ghoshal do justice to the soulful lyrics. The semi-classical Rangrez, with its predominant tabla and sitar arrangement is an aural treat reserved at the latter end of the album. Then Sukhwinder Singh takes over and one can feel the laughter in his voice as he sings the unusual lyrics. Loy Mendosa sings the opening bars and one wishes he sang more often. From the looks of it, it feels like a rustic Sardar is wooing a firang girl in his own inimitable way. This is another situational number whose true meaning will only be deciphered once we get to see the visuals. Now comes the fun, Slow motion angreza, which is a bhangra married to a waltz. Siddharth Mahadevan sings its rock version, which despite being pleasant sounds too polished in front of Lohar’s raw rendering. The guitar riffs in fusion with Arif’s trademark chimta and iktara take you to another plane. Divya Kumar’s booming voice looks tailor-made for this inspirational song.Īnother Pakistani singer, folk artiste Arif Lohar makes his presence felt in the title song Bhaag milkha bhaag. Maston ka jhund is a situational number that buoys you with its get-up-and-go energy. #Arif lohar bhaag milkha bhaag full#The instrumentation is kept minimal and Bashir’s haunting voice takes the lead and does full justice to the Sufi lyrics. Pakistani Sufi singer Javed Bashir, who made a name for himself in the MTV Coke studio, is the apt choice for Mera yaar. The youngster has proven to be a chip of the old block and his vibrant voice is helped by a rock infused orchestration to provide us with a pulsating anthem. The next track, Zinda, which runs in the background of the film’s promos and has gained popularity, marks the playback debut of Shankar Mahadevan’s son, Siddharth Mahadevan. The soulful number is over too soon and one wishes the devotional track had more length. The album starts with Gurbani sung with a heartfelt fervour by Daler Mehndi. The good news is that they have connected well with Mehra’s musical’s sensibilities and have given us a score that stands true to the film’s subject and is pleasing to the ears at the same time. While Prasoon has stayed on, Rahman has been replaced by Shankar-Ehsaan-Loy. AR Rahman and Prasoon Joshi were his able henchmen in those two ventures. Rakeysh Omprakash Mehra has given us some stupendous soundtracks in the past in form of Rang De Basanti and Delhi-6.
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